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The English sampler underwent its most dramatic transformation during the eighteenth century, as its form gradually followed its function. No longer solely a pattern record, samplers were evolving into frameable art in their own right. A more pictorial format emerged throughout the eighteenth century. Borders, verses, and pictorial scenes replaced the long pattern bands of the seventeenth century. Until about the last quarter of the eighteenth century, stitch variety, symmetry and technical expertise were paramount in English needlework. Great genius was exhibited in many of these samplers, demonstrating that they were more than mere alphabetical exercises in monotony. Like American samplers of the nineteenth century, stitch variety declined and, with rare exceptions, only the cross stitch prevailed on later, simpler works.
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This sampler is designed after a mid-18th century piece,... |
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Although there has not been the extensive research and study of... |
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Designed after an exquisite English band sampler. The verse is: ... |
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This is a beautifully balanced, intensely stitched transitional... |
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As the purpose for making samplers evolved over the decades and... |
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Towards the end of the 18th century, pastoral scenes featuring... |
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This is a most unusual sampler, without precedent, ambitious... |
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Perfect symmetry, brilliant colour, and fine stitching make up... |
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A Parrot A Leopard A Lion reproduction tent stitch needlework... |
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This is the most symmetrical, balanced, counted thread samplers... |
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This small early eighteenth century English alphabet sampler is... |
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This sampler, from the collection of Witney Antiques in Witney,... |
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Elizabeth Mansfield finished her sampler in England on 13th June... |
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An unusual four-sided counted satin stitch border surrounds two... |
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The beautiful pastel colours on this English sampler are very... |
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This English sampler combines embroidered pictorial, alphabetic,... |
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Adapted from a mid eighteenth century English sampler. The... |
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The original sampler from which this kit was reproduced, from... |
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Who would love this world or prize whats in it that gives... |
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An English sampler of circa 1810. This finely worked sampler... |
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This needlework was designed after an English sampler in the... |
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Here we have two English band samplers of letters - Jane Ogle... |
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This is a very curious sampler, belonging to a small group made... |
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A solidly infilled tapestry-like sampler, this mid 18th century... |
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The focal point of this amazing English band sampler is its knot... |
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This English sampler features two pairs of human figures worked... |
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With an extensive palette of twenty three colours, this finely... |
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Of all the known Juda Hayle school samplers, Mary Moyse's is one... |
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The cartouche band in the lower third of this English sampler... |
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This sampler is a good example of the work done during the... |
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Although unsigned and undated, this remarkably well-preserved... |
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When The Scarlet Letter acquired the original needlework from... |
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So much research remains to be done on the origins, schools, and... |
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Skill and expertise in sampler-making did not necessarily peak... |
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This sampler is probably English, originally worked on a fine... |
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Rising Doves is a Tent Stitched Picture signed by "AP" and dated... |
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A Sampler from the collection of the Fitzwilliam Museum in... |
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This is a sampler unto itself: truly an original piece of folk... |
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An English sampler from the collection of The Shelburne Museum,... |
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This English sampler retains the band shape of the 17th century,... |
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Still retaining its original bright colour, Sarah Stuart's silk... |
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Early to mid 18th century English samplers often borrowed motifs... |
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A four-sided strawberry meander border surrounds this sweet... |
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As brightly coloured as the original eighteenth century English... |
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The earliest tablet format samplers were created in England... |
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Needlework fashion was in the throes of change when this canvas... |
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This wonderful English tent-stitched picture shows an amorous... |
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A very unusual small late 18th century sampler, featuring a... |
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