From the collection of the Philadelphia Museum of Art.

Philadelphia's earliest identifiable group of samplers made between 1725 and 1740, was worked under the instruction of Elizabeth Marsh (1683-1741?) and her daughter Ann (1717-1797). This sampler appears to have been made under the Marsh tutelage.

Many of the pattern bands that Ann worked on her own sampler (dated 1727, and in a private collection) appear almost identically on Elizabeth Hudson's. Ann was taught by her mother, Elizabeth Marsh, the premier schoolmistress who was instrumental in setting the trends and fashions in Philadelphia's elegant schoolgirl embroideries. Ann probably began teaching alongside her mother in 1737 or 1738, so either woman could have guided Elizabeth Hudson in the execution of her sampler. Both Marshes were Quaker, and it is interesting to note the similarities between the Marsh-taught samplers and that of Dorcas Haynes, an English Quaker who made her sampler in 1725.

The style of the Marsh-taught samplers is often defined by a four-sided, stylized carnation border, around numerous horizontal floral arcaded pattern bands interspersed with pious verses. They employ rich, bold colour, and a wide variety of stitches. The lowermost arcaded band encompasses genealogical information about the maker, usually stitched in black silk. Elizabeth Hudson was born in 1722. and died in 1783.

Stitches used in her sampler include cross, tent, counted satin, stem, and Queen. The original sampler measures 15-1/2"x11-1/4".

Origin and date: Philadelphia, Pennsylvania 1737 

Linen count and finished size: 35 or 40 count (please specify) 18-1/4"x26-1/2" or 16"x231/4

Kit contains fabric, silk or cotton thread, needle and instructions.